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  • goodtypography:

“Erik Nitsche Inspiration”
Poster Section of a brochure. Love the colors and type. Made me want to research Erik Nitsche as soon as I soon this poster. This is by Chris Cyran, his full project is here:
http://www.behance.net/gallery/Erik-Nitsche-Inspiration/6479841

    goodtypography:

    “Erik Nitsche Inspiration”

    Poster Section of a brochure. Love the colors and type. Made me want to research Erik Nitsche as soon as I soon this poster. This is by Chris Cyran, his full project is here:

    http://www.behance.net/gallery/Erik-Nitsche-Inspiration/6479841

    Source: goodtypography
    • 2 weeks ago
    • 98 notes
  • poetrysince1912:

—Rabindranath Tagore, Poetry, June 1913The original “Come as you are.” It’s Tagore’s birthday today.

    poetrysince1912:

    —Rabindranath Tagore, Poetry, June 1913

    The original “Come as you are.” It’s Tagore’s birthday today.

    Source: poetrysince1912
    • 2 weeks ago
    • 239 notes
    • 3 weeks ago
    • 2 notes
  • questionableadvice:

~ Gordon-Moore’s Cosmetic Toothpaste, June 1954via Grace’s Guide

    questionableadvice:

    ~ Gordon-Moore’s Cosmetic Toothpaste, June 1954
    via Grace’s Guide

    Source: questionableadvice
    • 3 weeks ago
    • 126 notes
  • Source: morganintheskywithkitties
    • 3 weeks ago
    • 291 notes
  • THE MERMAID

    cahhsee:

    A mermaid found a swimming lad,

    Picked him for her own,
    Pressed her body to his body,
    Laughed; and plunging down
    Forgot in cruel happiness
    That even lovers drown.

    William Butler Yeats

    Source: cahhsee
    • 3 weeks ago
    • 11 notes
    • 3 weeks ago
  • Source: pardonmysteelo
    • 2 months ago
    • 189 notes
  • fancybidet:

andrewfishman:

Marina Abramović, “Rhythm 0,” 1974
Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art.  Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted.  So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people.  
Her bravest piece, however, is my favorite.  This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.  
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves.  I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.   Every time I read about this piece I cry.

    fancybidet:

    andrewfishman:

    Marina Abramović, “Rhythm 0,” 1974

    Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art.  Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted.  So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people.  

    Her bravest piece, however, is my favorite.  This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

    Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

    This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances. 

    This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves.  I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.   Every time I read about this piece I cry.

    (via conceptualuniverse)

    Source: andrewfishman
    • 2 months ago
    • 136062 notes
  • (via conceptualuniverse)

    Source: marcedith
    • 2 months ago
    • 7489 notes
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